Lucretius (c. 94-53 BCE) is our most important source for Epicurean philosophy, perhaps the most misunderstood school of thought from the ancient world.
The Roman playwright Terence (c. 184-159 BCE) produced a string of brilliant comedies in the 160s BCE. His masterpiece, The Brothers, continues to astonish us today.
Plautus (c. 254-184 BCE) was a prolific comedy writer. His late play, The Rope, captures the dizzying changes sweeping Rome after the Second Punic War.
Roman literature grew slowly from Greek traditions during the 300s and 200s BCE. Learn about its earliest figures, and how they paved the way for the Age of Cicero.
A retrospective of everything L&H has covered so far, plus some special announcements.
The Hellenistic period – 330-30 BCE, saw Alexander’s successor kingdoms rotting away in the east, the rise of Rome, and the birth of modern consciousness.
Apollonius’ Jason and the Argonauts, Books 3-4. Mesmerizing Medea takes center stage at the Argonautica’s end, dominating the epic’s events.
Jason and the Argonauts, Books 1-2. Journey with Jason to find the Golden Fleece, and learn about the Greco-Egyptian writer, Apollonius of Rhodes.
Menander’s Old Cantankerous (316 BCE), produced during the New Comedy period, shows theater beginning to take on its modern form.
Aristophanes’ Lysistrata, with all of its nudity, sex, and explicit language, was nonetheless his most powerful salvo against the Peloponnesian War.
Aristophanes’ The Clouds is a dazzling satire on Athenian philosophy, showing a very different Socrates than Plato’s.
Euripides’ The Bacchae, one of the darkest and bloodiest works of Ancient Greek tragedy, is about the spread of cult religions during the late Peloponnesian War.
Euripides’ Medea is Ancient Greece’s most famous play. But what did it mean to the Athenians in 431 BCE who watched it on the Acropolis?
Sophocles’ Theban Plays, 3 of 3. Antigone is a timeless and dark story about a clash of wills. But it’s also fascinating snapshot of the philosophical brawls of 5th-century BCE Athens.
Sophocles’ Theban Plays, 2 of 3. Oedipus at Colonus, out of the ashes of the Peloponnesian War, is a story about a man who has lost everything but his own dignity.
Sophocles’ Theban Plays, 1 of 3. Oedipus the King is one of literature’s great stories. It’s also a haunting window into the fears of war torn Athens in 429 BCE.
Aeschylus’ Oresteian Trilogy, 3 of 3. Pursued all the away to Athens by the monstrous Furies, will Orestes prevail, or be torn apart?
Aeschylus’ Oresteian Trilogy, 2 of 3. The infernal House of Atreus had witnessed almost every imaginable act of depravity. Except for one.
Aeschylus’ Oresteian Trilogy, 1 of 3. A terrible family curse. A wronged queen. The Trojan War was only the start of the bloodshed.
Masks. Choruses. Huge prosthetic penises. Before you read Sophocles, Euripides, and company, it’s a good idea to know a bit about Ancient Greek Theater.
The work of Sappho, Pindar, and other remarkable Greek lyric poets makes us question everything we think we know about poetry, what it is, and what it does.
The Old Testament, Part 10 of 10. The seventeen Prophetic Books, produced during war and diaspora, are both despairingly bleak and searingly hopeful.
The Old Testament, Part 9 of 10. What’s the Song of Songs doing in the Bible? Is it a pious hymn to God, or just a couple of horny lovers talking to each other?
The Old Testament, Part 8 of 10. If there is one Biblical book that explains all of life, thick and thin, love and anguish, that book is probably Ecclesiastes.
The Old Testament, Part 7 of 10. In the Book of Psalms, a single, fascinating, familiar linguistic device propels the world’s most famous poems.