Virgil’s Georgics (c. 29 BCE), or agriculture poems, show the poet reaching his full strength as a writer, and using an old form to analyze the history around him.
Virgil’s Eclogues (c. 38 BCE) are poems about country life. Far from being innocent celebrations, though they are often cryptic filled with a haunting darkness.
Horace (65-8 BCE) was a central figure in shaping Augustan Age tastes in satire and literary criticism. His bumbling, self conscious persona has been charming readers for millennia.
The Roman poet Horace (65-8 BCE), a contemporary of Augustus, endured wars, regime changes, and became a literary spokesman for the new principate.
Catullus (c. 85-54 BCE) is Rome’s most famous early poet. Departing from epic tradition, Catullus wrote a canon of short works that have been famous since antiquity.
Following his consulship, Cicero did his best to salvage the battered Republic, eventually going head to head with the powerful young general Mark Antony.
The story of Cicero’s career is an epic tale, filled with courtroom dramas, corruption, conspiracy, greed, and Cicero’s own enduring hope for a better future.
Cicero (106-43 BCE) was the undisputed master of the Latin language. During his first thirty years, he witnessed events that heralded the Republic’s end.
Lucretius (c. 94-53 BCE) is our most important source for Epicurean philosophy, perhaps the most misunderstood school of thought from the ancient world.
The Roman playwright Terence (c. 184-159 BCE) produced a string of brilliant comedies in the 160s BCE. His masterpiece, The Brothers, continues to astonish us today.
Plautus (c. 254-184 BCE) was a prolific comedy writer. His late play, The Rope, captures the dizzying changes sweeping Rome after the Second Punic War.
Roman literature grew slowly from Greek traditions during the 300s and 200s BCE. Learn about its earliest figures, and how they paved the way for the Age of Cicero.
A retrospective of everything L&H has covered so far, plus some special announcements.
The Hellenistic period – 330-30 BCE, saw Alexander’s successor kingdoms rotting away in the east, the rise of Rome, and the birth of modern consciousness.
Apollonius’ Jason and the Argonauts, Books 3-4. Mesmerizing Medea takes center stage at the Argonautica’s end, dominating the epic’s events.
Jason and the Argonauts, Books 1-2. Journey with Jason to find the Golden Fleece, and learn about the Greco-Egyptian writer, Apollonius of Rhodes.
Menander’s Old Cantankerous (316 BCE), produced during the New Comedy period, shows theater beginning to take on its modern form.
Aristophanes’ Lysistrata, with all of its nudity, sex, and explicit language, was nonetheless his most powerful salvo against the Peloponnesian War.
Aristophanes’ The Clouds is a dazzling satire on Athenian philosophy, showing a very different Socrates than Plato’s.
Euripides’ The Bacchae, one of the darkest and bloodiest works of Ancient Greek tragedy, is about the spread of cult religions during the late Peloponnesian War.
Euripides’ Medea is Ancient Greece’s most famous play. But what did it mean to the Athenians in 431 BCE who watched it on the Acropolis?
Sophocles’ Theban Plays, 3 of 3. Antigone is a timeless and dark story about a clash of wills. But it’s also fascinating snapshot of the philosophical brawls of 5th-century BCE Athens.
Sophocles’ Theban Plays, 2 of 3. Oedipus at Colonus, out of the ashes of the Peloponnesian War, is a story about a man who has lost everything but his own dignity.
Sophocles’ Theban Plays, 1 of 3. Oedipus the King is one of literature’s great stories. It’s also a haunting window into the fears of war torn Athens in 429 BCE.
Aeschylus’ Oresteian Trilogy, 3 of 3. Pursued all the away to Athens by the monstrous Furies, will Orestes prevail, or be torn apart?